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Spring Breeze, starring Mizuno Mari (or Mari Mizuno, if you prefer the American ordering), the lead vocal for Japanese fusion band Paris Match, starts with a speedy arpeggio and never slows down. If you had any concerns about what that would do to the quality of this album’s tracks, they should be gone after the opening track. The majority of this album relies on the familiar electronic soundset of piano, drum machine, and synthesizer, which means the artist must find other, more difficult ways to make these interesting. There’s a lot of diverse sounds in Soundscape, but not nearly to the level seen in previous works. In Soundscape, though, he makes a bold change: he leans much more heavily on the strength of melody. Instrumental or instrument-driven albums are all judged by the same standard: how effectively does the artist use the tools given to make engaging music without vocals? Sentimental Scenery used to resort to both melodic strength and diversity of instrumentation to accomplish this. Coupled with the album’s level of polish and the rarity of this brand of electronica in Korea, Soundscape does start with a leg up over other albums in interesting qualities.
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Even the trippy album cover is interesting to look at, although it seems like a pretty clear homage to DJ Okawari. Melodies are just as volatile as the moods. The sound is crisp and densely written throughout. Twelve tracks isn’t exactly extraordinary for a full-fledged release, but each track is crafted with diversity, and more importantly, listening pleasure in mind. For starters, there’s a ton to listen to here. So his first studio album, Soundscape, more than deserves its hype. Not only has his previous work satisfied the Korean market’s small demand for this brand of music, but he’s also achieved an expansive scope of diversity and experimentation within the genre. So for Sentimental Scenery, arguably the most gifted (and by far the most prolific) shibuya-kei artist in Korea, even accomplishing that feat is half a success.
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The Free Tempos, the Daishi Dances, even the Nujabeses of the world–they will always be the golden standard, and it’s an uphill battle to distinguish oneself from the pack. Being a shibuya-kei artist is potentially exasperating–no matter what you do, you’re probably going to be compared to genre legends.